BANBURY SHUKOKAI KARATE SCHOOLS

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What is Shukokai?
History, Technical Principles, Kata, Grades

 

Shukokai Karate History

Shukokai way for all is a traditional fast dynamic style of karate which can trace its ancestry directly back to shito ryu its parent style. Shukokai founder soke chojiro tani was a senior student of kenwa mubuni shito ryu founder, mubuni (1890-1952) was one of the early karate pioneers who was decended from okinawan warrior class (bushi). His training and insruction came two legendary masters itosu and higgaonna, itosu was a shurite practioner whilst higgaonna taught naha te which teaches softer circular technique compared to shurite which is very much more linear ballistic style supposedley decended from shoulin boxing. Mubuni also received instuction from gokenki a master of fukien white crane kung fu , gokenki was a chinese tea merchant living in okinawa at this time. Through his teachings we still have the katas ni pi po, hakaku, paipuren, which to this day are still practised by some but not all shukokai/shito ryu schools. Mubuni eventully moved to Japan to promote the shito style and it was during this time tani became his student and after many years refined the style into shukokai. Mr Tani himself was born in Kobe, Japan in 1919 and started to learn karate at jnr high school.In 1948 he opened the shukokai school where he taught tani-ha shito ryu asect of the parent style. Shukokai spread to europe eventually with the arrival of yoshinao nambu and shigeru kimura both students of chjiro tani. Nambu heads his own style and organisation now called nambudo whilst sensei Kimura devoted his life to refining and developing shukokai, he passed away in 1995.

 

Shukokai Technical Principles

Shukokais development has emerged through kinetics (a study of the body in motion),with an emphasis to increase body velocity through using hip twists whilst gaining traction from the floor,transmission of mass + acceleration = impact. For example a double hip twist (ie pulling back the hip against resistance of the standard stance and allowing natural movement to engage the forward hip recoil with the fist firing naturally in a whip or catapult action) this not only gains amuch greater acceleration on impact but you also achive a one two reaction via the floor through traction of the feet. This one two reaction is the final process of the double hip twist by the transmission of weight on to the legs via the hip pullback and recoil throwing the weight from rear to front leg. All basic techniques are performed from this one stance which is a short zenkutsudachi with the front knee bent covering the toes the rear foot forms a 45 degree angle through a straight lock in the back leg. From this standard stance all technique can be exucuted by useing the aformentioned hip twist.

 

Kata

A compendimum of fighting techniques recorded and preserved into unique pre-set forms they are the very soul of traditional karate. These kata are the legacy of masters of old , time capsules recording brutal and very effective close range fighting techniques and principles which include kicks ,srikes ,punches,locks and holds,stangles ,and throws. Due to strict secracey these ancient forms were passed down from master to student orally and never recorded in ink ,they were often practised in secret in a secluded location probabley at night. The majority of kata can trace there heritege back to china and eventually refined by the okinawans in the eighteenth century even today the names of some of these forms pay tribute to there creator ie ..kushanku ,chinto,wansu. It is probably fare to say that the katas were much longer and more intricate before there arrival on okinawa where they were shortened blended within okinawas fighting system of te.

 

Kata Performance

Kata is fighting, fighting is kata, keep this thought in mind when practising a form and your kata will come to life . You must perform every technique as if your very existence relied upon each combative move. Master itosu himself said quote "You must imagine yourself fighting on a battlefield when performing a kata, when blocking and striking make the eyes glare, drop the shoulders, and harden the body. Now block the enemies punch and strike. Always practice with this spirit so that when on the real battlefield you will naturally be prepared". Kata has no superfluous movements. Every punch, kick , strike and block etc has a meaning and function, bear this in mind when you imagine your enemy surrounding you. You must absorb every move and you repeat the kata time and time again. This way all the offensive and defensive skills shall become imprinted on the brain. Instinct will then replace thought. Automatic, natural response given to any violent situation. As a karateka learns to synchronise the correct method of breathing in unison with technique, apply speed, balance power along with zanchin. Kiai to intensify the impact shock of your technique by exhaling all the breath from your lungs, this will also stop the enemy from knocking the wind out of your body. To comprehend all the above, it is essential you train and attend classes on a weekly basis and to watch, listen and take guidance from your sensai. Always approach and ask if unsure and do not understand.

 

Kata Origin

Listed below is the syllabus kata requires for promotion within the Banbury Shukokai Karate Schools.Although many more kata are taught from the Naha-te and Tomari systems along with Bunkai (application) and understanding.

PINAN (peaceful mind)
Master itosu (1830-1915) created and developed the pinan forms in the early 20th century. It is understood the katas were developed from two other shurite kata namely kushanku (kosokun) and a lost chinese form called channan. The legendary okinawan shurite karate master bushi matsumura ,who was itosu s teacher is also credited having devised them or at least pinan nidan and shodan in which he extracted them from the aformentioned channan kata,and so the remaining three pinans sandan,yondan,and godan were left for itosu himself to develop.

JIIN (temple ground)
Creator unknown ,although classed as a shurite kata along with jion and jitte they are all associated with each other .They may have originally come from the tomari area ?there heritage is very obscure itosu passed them on apparently without any modifications.

ANNANKU (light/peace from the south)
Creator unknown ,chotoku kyan (1870-1945) an early okinawan karate pioneer supposedly brought back this kata from taiwan ,and from there was developed and refined in the tomarai area of okinawa. There are two or three versions being practised today ,the matsubayashi ryu form is uniquely different compared to the shito/shukokai version.

BASSAI-DAI (to storm a fortress)
This is a very old kata and again the creator is unknown,supposedly brought originally back from china with bushi matsumura which makes it a shurite class kata,although much practised in the tomarai area too. There are many variants of bassai it seems most of the major styles have there own version our shito ryu/shukokai bassai-dai comes from itosu,and has much in common with the matsumura/tomari versions were i would imagine itosu developed our kata. There is also a sho (lesser ) version practised by some of the shito ryu sects and this again is an itosu creation from the original.

KOSOKUN-SHIHO (four directional kushanku)
Kosokun or kushanku -shiho is a kata created and developed from the original form kushanku which itself is a very old kata handed down from either tode sakugawa or chatan yara both very early okinawan karate pioneers. The kata was apparently developed from fighting techniques and principles that sakugawa learned from a chinese military attache named kusanku from which the kata was named .Kosokun -shiho itself is a development of the original kushanku created by either itosu or kenwa mabuni (shito ryu creator) and is practised almost exclusively by shukokai/shito styles.

SEIENCHIN (to pull in and battle)
Creator unknown , its origin may according to tradition be a deriative of one of the internal schools of chinese boxing ,or alternativly like many of the naha forms its heritage probably lies in southern china from where higahionna brought back the kata along with many others. The kata which excludes any kicks is extremly varied inc close quarter fighting grabs ,punches ,throws, chokes,elbow srikes etc....

 

Grades

The Shukokai Karate Association (SKA) has a series of gradings. These range from the novice through the Kyus (10th Kyu to 1st Kyu) to the Dans (Black belts 1st dan and upwards). Each Grade is attained by a mixture of experience and passing an assessment- both criteria have to be met before progression can be made. As you would expect, earlier grades have less demanding assessments (but still appropriate to the experience) between set time limits.
Senior grades have to hone their skills for longer before attempting more exacting assessments. In order to gain a Black Belt it is necessaryfor the student to demonstrate a technical knowledge and skil to a level laid down in their Association Grading Syllabus, for each of the 3 fundamental competencies of Karate which are kihan (Basic Techniques), Kata (Set formal excercise) and Kumite (Sparring).

The SKA Grading structure is shown below. It is based on a student training twice a week. There are titles for the grades - 1st Kyu and 1st Dan are referred to as sempai (senior), 2nd Dan to 5th Dan are referred to as sensai (teacher) whilst 6th dan and above are shihan (master).

10th Kyu - white belt with red stripe
9th Kyu - red belt
8th Kyu - Yellow belt
7th Kyu - Orange belt
6th Kyu - Green belt
5th Kyu - Blue belt
4th Kyu - Purple belt
3rd Kyu - Brown belt
2nd Kyu - Brown belt with white stripe
1st Kyu - Brown belt with red stripe
Shodan 1st Dan - Black belt with 1 red tab
Nidan 2nd Dan - Black belt with 2 red tabs
Sandan 3rd Dan - Black belt with 3 red tabs
Yondan 4th Dan - Black belt with 4 red tabs

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Grade: 10th Kyu - white belt with red stripe
Training requirement: 10 weeks minimum
A: Basics in parallel stance (Yoi) Jodan Zuki, Chudan Zuki
Blocks Gedan Barai
B: Basics in forward stance (Kamae) Oi Zuki, Gyaku Zuki
C: Kicks Mae Geri


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Grade: 9th Kyu - Red belt
Training requirement: minimum 3 months training from last grading
A: Basics (Kamae) Oi Zuki, Gyaku Zuki
Blocks Gedan Barai
B: Combinations 1, 2
C: Kicks Mae Geri


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Grade: 8th Kyu - Yellow belt
Training requirement: minimum 3 months training from last grading
A: Basics (Kamae) as 9th kyu
Blocks Jodan Uke
B: Combinations 1, 2
C: Kicks Mae Geri, Mawashi Geri
D: Kata Junino Kata - any of 4 blocks


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Grade: 7th Kyu - Orange belt
Training requirement: minimum 3 months training from last grading
A: Basics (Kamae) as 8th kyu plus Mackan Zuki
Blocks Jodan Uke, Shutto Uke
B: Combinations 1, 2, 3
C: Kicks Mae Geri, Mawashi Geri
D: Kata Pinan Nidan
E: Impact Oi Zuki, Gyaku Zuki, Mae Geri

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Grade: 6th Kyu - Green belt
Training requirement: minimum 3 months training from last grading
A: Basics (Kamae) as 7th kyu
Blocks Jodan Uke, Shutto Uke
B: Combinations 3, 4, 5
C: Kicks Mae Geri, Mawashi Geri
D: Kata Pinan Sandan
E: Impact Gyaku Zuki, Mackan Zuki, Mae Geri, Mawashi Geri

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Grade: 5th Kyu - Blue belt
Training requirement: minimum 4 months training from last grading
A: Basics (Kamae) as 6th kyu plus Sekkyaku Zuki
Blocks Shuto Uke, Soto Uke
B: Combinations 4, 5, 6
C: Kicks Mae Geri, Mawashi Geri, Yoko Geri
D: Kata Pinan Shodan
E: Impact as 6th Kyu plus Oi Zuki
E: Sparring Protective equipment must be worn

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Grade: 4th Kyu - Purple belt
Training requirement: minimum 4 months training from last grading
A: Basics (Kamae) as 5th kyu plus Ashi Barai
Blocks Shuto Uke, Uchi Uke
B: Combinations 5, 6, 7
C: Kicks as 5th Kyu
D: Kata Pinan Yondan, plus any previous Kata
E: Impact Oi Zuki, Gyaku Zuki, Sekkyaku Zuki, Mae Geri, Mawashi Geri, Yoko Geri
E: Sparring Protective equipment must be worn

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Grade: 3rd Kyu - Brown belt
Training requirement: minimum 6 months training from last grading
A: Basics (Kamae) Oi Zuki, Gyaku Zuki, Mackan Zuki, Uraken Uchi, Ashi Barai
Blocks Gedan Barai, Jodan Uke, Shuto Uke
B: Combinations 6, 7, 8
C: Kicks Mae Geri, Mawashi Geri, Ushiro Geri
D: Kata Pinan Godan, plus any previous Kata
E: Impact as 4th Kyu plus Mackan Zuki, Gedan Barai, Gyaku Zuki, Ashi Barai
E: Sparring Protective equipment must be worn

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Grade: 2nd Kyu - Brown belt with white stripe
Training requirement: minimum 6 months training from last grading
A: Basics (Kamae) Oi Zuki, Gyaku Zuki, Sekkyaku Zuki, Uraken Uchi, Ashi Barai
Blocks Gedan Barai, Jodan Uke, Soto Uke
B: Combinations 7, 8, 9
C: Kicks as 3rd Kyu plus Yoko Geri
D: Kata Giin (Kokaiteki Sento Gijutsu), plus any previous Katas
E: Impact as 3rd Kyu plus Ushiro Geri. Substitute Jodan Uke for Gedan Barai
E: Sparring Protective equipment must be worn

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Grade: 1st Kyu - Brown belt with red stripe
Training requirement: minimum 6 months training from last grading
A: Basics (Kamae) as 2nd Kyu plus Mackan Zuki
Blocks Shuto Uke, Soto Uke, Uchi Uke
B: Combinations 8, 9, 10
C: Kicks as 2nd Kyu
D: Kata Annanko Kokaiteki Sento Gijutsu, plus any previous Katas
E: Impact as 2nd Kyu plus Uraken Uchi, Ushiro Mawashi Geri. Substitute Shuto Uke for Jodan Uke
E: Sparring Protective equipment must be worn

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Grade: Shodan 1st Dan - Black belt with 1 red tab
Training requirement: minimum 6 months training from last grading
A: Basics (Kamae) as 1st Kyu
Blocks Gedan Barai, Jodan Uke
B: Combinations any 5 out of the 10 combinations
C: Kicks as 1st Kyu
D: Kata Bassai Dai Kokaiteki Sento Gijutsu, plus any previous Katas
E: Impact as 1st Kyu substitute Soto Uke and Uchi Uke for Shuto Uke
E: Sparring Protective equipment must be worn

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Grade: Nidan 2nd Dan - Black belt with 2 red tabs
Training requirement: minimum 2 years training from last grading
Syllabus refer to SKA Manual

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Grade: Sandan 3rd Dan - Black belt with 3 red tabs
Training requirement: minimum 3 years training from last grading
Syllabus refer to SKA Manual

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Grade: Yondan 4th Dan - Black belt with 4 red tabs
Training requirement: minimum 4 years training from last grading
Syllabus refer to SKA Manual